From a recent walk on The Highline.
© Joseph Gerhard. All rights reserved.
Showing posts with label swc. Show all posts
Showing posts with label swc. Show all posts
Friday, October 22, 2010
Thursday, October 7, 2010
Katie's Office (revisited)
A slightly different framing than this one that I posted on Motelrodeo in July—and in color.
© Joseph Gerhard. All rights reserved.
© Joseph Gerhard. All rights reserved.
Labels:
interiors,
portravc400,
swc
Thursday, August 5, 2010
Saturday, July 10, 2010
Cambridge Architectural
A few photos taken on early morning walks around Harvard Square and Central Square in Cambridge, MA last month.
Labels:
cambridge,
color,
film,
hasselblad,
kodak,
massachusetts,
portravc400,
swc
Saturday, July 3, 2010
More Unmade Beds
While it looks like Mill River will see the light of day as a book before Unmade Beds—probably later this year—the bed project continues, and publishing the series in book form is still the plan.
I am just beginning a new round of shooting for Unmade Beds that will continue for the next six months, as I finalize the manuscript for Mill River.
These are from a recent shoot: Michelle.
I am just beginning a new round of shooting for Unmade Beds that will continue for the next six months, as I finalize the manuscript for Mill River.
These are from a recent shoot: Michelle.
Labels:
blackandwhite,
hasselblad,
michelle,
swc,
tmax400,
unmade beds
Saturday, June 19, 2010
Mill River
This series of photos of the Mill RIver has taken me completely by surprise. In the first place, these are not the kind of photographs I usually make. I don't think of myself as a landscape photographer, and I don't generally photograph the natural world. I've walked along this river for the past 20 years and although I've taken an occasional photograph there, it's never occurred to me to photograph it extensively.
During early morning walks I started to notice the way the river looked from the paths along its banks—the way that it always appeared in small fragments, framed by branches, leaves, rocks, mud. The river is so still and slow-moving that it exists almost as a negative presence—visible only in the reflections of trees, branches, sky. I am fascinated by the way the river is both integral to the scene and barely there at the same time. I am obsessed by it and haven't been able to stop making photos. Developing the images, seeing the negatives and prints for the first time, I've been almost hyperventilating with excitement.
The series has grown over the last couple of months to nearly 60 images. These are four recent ones.
During early morning walks I started to notice the way the river looked from the paths along its banks—the way that it always appeared in small fragments, framed by branches, leaves, rocks, mud. The river is so still and slow-moving that it exists almost as a negative presence—visible only in the reflections of trees, branches, sky. I am fascinated by the way the river is both integral to the scene and barely there at the same time. I am obsessed by it and haven't been able to stop making photos. Developing the images, seeing the negatives and prints for the first time, I've been almost hyperventilating with excitement.
The series has grown over the last couple of months to nearly 60 images. These are four recent ones.
Labels:
hasselblad,
mill river,
new haven,
swc,
tmax400
Wednesday, June 9, 2010
Hotel Morning
Labels:
beds,
blackandwhite,
cambridge,
film,
hasselblad,
hotel,
interiors,
katie,
morning,
swc
Monday, June 7, 2010
Buildings & Trees
Having to do with the often awkward relationship between the things that we build and the trees we share the space with.


Labels:
black and white,
buildings,
hasselblad,
medium format,
swc,
trees
Saturday, June 5, 2010
Homage to Mr. Lee

I was thinking about Lee Friedlander's new book, America By Car, on a road trip to Boston last week. Katie was driving her company car, a Toyota Camry—which has to be the most generic car in America at the moment. It's the same car that appears in so many of Friedlander's recent photos, in all likelihood because it was a rental.
I had my camera bag on the floor in front of me and my Superwide was in the bag. I couldn't resist.
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